eCameraReviews.com

Tips for Teleconverters

admin — Sat, 19 May 2012 13:04:01 +0000

Photographer Jason P. Odell explains the basics of teleconverters and their limitations on your photography.

Sony A200 digital SLR review by What Digital Camera

admin — Fri, 18 May 2012 17:24:17 +0000

Sony A200 digital camera review by Matt from What Digital Camera monthly magazine www.whatdigitalcamera.com Like us on facebook www.facebook.com Follow us on twitter @whatdigcamera

Panasonic Lumix DMC-FZ150 Review

admin — Fri, 18 May 2012 13:38:42 +0000

Panasonic Lumix DMC-FZ150 Review Although I’m a little late to the game with this review of the Panasonic Lumix DMC-FZ150 ($430 online), I can safely tell you that this is a camera that will remain quite popular when its newer iteration is released later this year. The Panasonic Lumix DMC-FZ150 is one of the best Super Zoom digital cameras on the market, without question. Continue reading: tchno.be For more tech goodness, check us out at: www.technobuffalo.com Follow Us on Twitter: www.twitter.com Like Us on Facebook: www.facebook.com Check Us Out on Google+: tchno.be Inside My Mind: www.youtube.com

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Canon PowerShot G1X – Which? first look review at CES 2012

admin — Thu, 17 May 2012 14:16:01 +0000

go.which.co.uk Canon has unveiled the PowerShot G1 X, the latest camera in the successful and popular Canon G-Series line up.

Canon EOS-1D X ISO 204800 Shooting Hands-On

admin — Wed, 16 May 2012 14:50:07 +0000

Do you like music ? If yes, please go to www.honeymp3.com and download free album music on iTunes, Amazon…

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eos-1d x

Click Click Camera

admin — Tue, 15 May 2012 20:19:11 +0000

www.thinkfasttoys.com Baby’s first camera. Turn and click. Lights and music feature. Plays 6 melodies. Pictures change. Requires 3 AAA batteries (included). “ss”

SeaLife SL980 Underwater Photo/Video Light with Arm Bracket Waterproof up to 330 ft.

admin — Tue, 15 May 2012 18:17:20 +0000

Powerful 500 lumen LED light – Latest LED technology featuring 3 x 3W Cree XP-G R5 LEDs
One button control for easy operation – One button to power light on/off and select light modes
Quick-release – Detach light from its arm for aiming into dark areas and discover hiding sea creatures

Includes flexible arm and tray – Easy aiming with rubberized flexible arm and universal mounting tray
Flash Cancellation mode – Light dims for 2 seconds when detecting external flash
No hot spots – Soft, 70 degree light beam evenly illuminates the subject with no hot spots

Effective Range – Video 2-3ft. (0.6-1m) Photo 1-2ft. (0.3-0.6m)
Customized Light Modes – Select between 8 different light mode settings
Flash Cancellation ON or OFF – Light dims for 2 seconds when detecting external flash

Light Power Levels – Single power (100%) or 3 power (100%?50%?25%) or 3 power plus signal (100%?50%?25%?Blinking?SOS)
Power Overdrive – Increase light power to 600 lumens for 2 minute
Color Temperature - 6,500K

Depth tested to 300 ft (100m) - Guaranteed
Coiled safety lanyard so you don’t lose the light when it’s disconnected from its arm
Rubber hood for added shock protection against drops and rough handling
Power Source - 4 x AA batteries

Product DescriptionThe SeaLife SL980 Light is the start of a revolution in underwater lighting. Instead of flash-only illumination, advanced LED light technology adds depth and color balance to close-up pictures and videos th. . . More >>

SeaLife SL980 Underwater Photo/Video Light with Arm Bracket Waterproof up to 330 ft.

Nikon Coolpix P510 Review – Giant Zoom!

admin — Tue, 15 May 2012 15:25:40 +0000

Nikon Coolpix P510 Review The Super Zoom wars are ever-expanding as manufacturers strive to produce digital cameras with the biggest possible optical zooms in this solar system. Yes, in the digital camera world, size does matter, and the Nikon Coolpix P510 is currently the most well endowed model with its obscene 42x optical zoom lens. Continue reading: tchno.be For more tech goodness, check us out at: www.technobuffalo.com Follow Us on Twitter: www.twitter.com Like Us on Facebook: www.facebook.com Check Us Out on Google+: tchno.be Inside My Mind: www.youtube.com

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D800 vs Medium Format with Roth and Ramberg

admin — Sun, 13 May 2012 16:36:23 +0000

With its groundbreaking image quality for a 35mm digital camera, the Nikon D800 has been compared to digital medium format camera systems. To look into these comparisons The Camera Store’s Chris Niccolls went out with Michelle Ramberg and Dale Roth or Roth and Ramberg to compare the D800 to a Hasselblad, widely considered the best digital cameras ever produced. See how the D800 stacks up against the Hasselblad H4D-40 in this extensive test. Special Thanks to Dale Roth, Michelle Ramberg, London Barbers, Mark Langridge and the talented crew that made this shoot possible. Please note that YouTube compression may make it difficult to see small differences in image quality. Trust Dale and Michelle. Shot and Edited by Jordan Drake Filmed on a Panasonic AF100

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Digital SLR sensors’s Explained

admin — Sat, 12 May 2012 17:23:39 +0000

www.FroKnowsPhoto.com There are a few different sensor sizes out there today. You have Full Frame and Cropped Sensors and now Four Thirds which I did not speak about in this video. On the Nikon end you have FX and DX. FX is a full frame sensor based on a 35mm size and DX is a cropped sensor based on a 24mm or APS size. There are advantages and perceived disadvantages to both. With Full Frame you get much better Hi-ISO capability but it is much more expensive. DX is a small sensor but makes your longer lenses act like they have more power. You multiply any lens you put on the camera by 1.5X to determine its 35mm equivalent. The downside is you need to purchase special ultra wide lenses to capture really wide angle images on DX. Another disadvantage to DX is you will not want to use those lenses on a Full Frame camera. So it becomes a dilemma on weather not to purchase a lot of DX lenses or not. On the Canon side you have three sensor sizes. Full Frame, 1.3x magnification in their sports cameras and APS-C which is 1.6x magnification. On the canon side. Any lens that you place on the APS-C sensor you will multiply by 1.6x to get the 35mm equivalent. As in the Nikon the larger the sensor the better the Hi-ISO capability the camera will be. Unlike Nikon Canon utilizes a 1.3x cropped sensor int heir high end sports camera. Sports photographers like having their longer glass have more reach. The cameras that have Full Frame sensors will be more expensive because they are more …